So when I click OK, it automatically adds in all those fades. So this time I'm going to actually make the length a little bit bigger. In this case, it would be right here, and you can choose the length. So in this case, we'll choose 10 milliseconds, and we'll do an equal power cross-fade, and then it also looks at the outgoing region boundaries, and it allows you to do a fade out of the last region. Then it looks at any regions that are touching each other, and it gives you the opportunity to select the length and type of cross-fades. You can adjust the shape to what you want it, and then you can also adjust the length. Now Pro Tools knows there's a bunch of region boundaries there, and it then gives you the batch fades dialogue, and this means that it'll look at the first region and fade-in. If you have a bunch of regions like this, and you want to cross-fade them all together as well as fade in and out of the section, you can select over the whole piece, and type command-F. The first thing I want to look at is called batch fades. I want to go over some of those key commands so you too can implement fades really quickly and efficiently. Notice that I've taken away all the fades, and if you've watched in the last couple weeks, I've been dropping fades using some really handy key commands. Now notice once we're done filling in with tone, we have a lot of cuts. If you've been following along in the previous weeks, you know that we've been working on this section of dialogue in this film. This week I want to show you some fast and efficient methods to implement fades. To make our sound seamless and to try to avoid digital clicks, it's absolutely paramount that we add fades, fade-ins and fade-outs, or cross-fades to every clip or region boundary. Somehow like this.- Anytime you edit audio in a film, video, or multimedia project, you're going to have a lot of clips and regions. And this is my personal nightmare) in this case I'm starting swearing and turning off multi tool) or, as an option, choose the area I want on the track above and drag it down to my clips. When you are trying to trim something close to the edge of the clip, you are activating a fade. That's the thing - the trimming tool works only on the upper part of the sample, and fades are in top corners. Instead of being completely cut from the tool team it's just standing in the corner. Having the fade tool accessible in the top right is indeed a time saver when trimming and fading clips successively. Now it's 2nd nature even at medium track heights. When I first started using PT I had to remind myself to stay centered for trimming. The fade tool only appears when cursor is in the upper right corner of the clip. You can move from the inside to the center edge of the clip too. I often re-set them mid session because material simply changes pace and workflow etc. Depending on material and workflow, I zip through some aspects and focus better on tasks.Īlternatively, I use 1-5 on the top number row of keyboard to switch between zoom presets a lot, too. That saves a bunch of zoom in zoom out edit movements. Instead, consider if there is a way to organize editing to flow through a set of tasks consistent with a zoom level. That said, I would also recommend that if the issue is encountered sometimes due to the alternation of horizontal zoom scale and the difficulty to easily click on just the right spot, is to consider organizing the work differently.įor example, while editing dialogue or a vocal, it can be tempting to go through it linearly fixing every thing in one pass. My editing I generally have empty space as I use strip silence a lot before I'd be adjusting individual edges. Instead of grabbing an edge, I drag from the other side if I can and delete if I can't sneak in with the edit cursor to use "a" or "s" in keyboard command focus. In that regard the advice here mentioned by K Roche sounds like what I do too. OP mentions each movement in editing time being valuable. to select amount of trim, that eliminates having to switch out of multi and is only a fraction longer than if the fade was eliminated from the multi So I just tried the placing the cursor just to right of the clip and moving into the clip.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |